Manga's First Century: How Creators and Fans Made Japanese Comics, 1905–1989

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Univ of California Press, Oct 28, 2025 - Art - 448 pages

2026 Eisner Award Nominee—Best Academic/Scholarly Work

A comprehensive English-language history of a beloved medium, Manga’s First Century tells the story of the artists and fans who built a cultural juggernaut.

Manga is the world’s most popular style of comics. How did manga and anime—“moving manga”—become ubiquitous? Manga’s First Century delves into the history and finds surprising answers.

In fact, manga has always been a global phenomenon. Countering essentialist myths of manga’s emergence from the deepest wells of Japanese art, author Andrea Horbinski shows it was born in the early 1900s, a hybrid form that crossed single-panel satirical cartoons popular in Europe and America with the Edo period’s artistic legacy. As a medium, manga initially focused on political commentary, expanding to include social satire, children’s comics, and proletarian art in the 1920s and 1930s. Manga’s evolution into a medium embracing complex, long-form storytelling was likewise driven by creators and fans pushing publishers to accept new, radical expansions in manga’s artistic and narrative practices. In the 1970s, innovative creators and fans empowered a new breed of fan-generated comics (dōjinshi) and established robust audiences of adult, female, and queer manga readers, while nurturing generations of amateur and professional creators who continue to enrich and renew manga today.

 

Contents

Introduction I
1
Cover of The Japan Punch 1865
18
Cartoon by Honda Kinkichirō from Marumaru Chinbun 1880
21
Manga by Imaizumi Ippyō from Jiji Shinpō 1899
23
Manga manbun by Okamoto Ippei 1916
34
Norakuro and his fellow recruits in Norakuro nitōhei 1933
75
The Norakuro Harmonica Band 1943
77
Page from Shōnen shukō book 1937
79
Opening sequence of Shintakarajima 1947
134
Children watching a kamishibai performance ca 1948
138
Cover of Manga 1948
140
Movement
158
Readers in a kashihonya 1948
159
Shambling Toward the Postmodern
185
Cover of Garo no 1 with art by Shirato Sanpei 1964
197
Cover of Big Comic no 1 1968
219

Issues of Yōnen Kurabu 1933 1941 1944
91
Erogurostyle manga by Yanase Masamu 1924
102
Proletarian manga by Yanase Masamu 1928
105
Cover of Manga Nihon by Katō Etsurō 1944
120
Eating Vegetables Rereading Manga
122
5
127
The kiss scene from In the Sunroom 1970
240
9
253
Opening pages of Kaze to ki no uta 1976
265
Cover of Manga Burikko 1983
292
Still Preoccupied with 1989
303
Copyright

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About the author (2025)

Andrea Horbinski earned her PhD in modern Japanese history and new media from the University of California, Berkeley. She serves on the editorial board of the Journal of Anime and Manga Studies and as the submissions editor for Mechademia: Second Arc.

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