Manga's First Century: How Creators and Fans Made Japanese Comics, 1905–1989A comprehensive English-language history of a beloved medium, Manga’s First Century tells the story of the artists and fans who built a cultural juggernaut. Manga is the world’s most popular style of comics. How did manga and anime—“moving manga”—become ubiquitous? Manga’s First Century delves into the history and finds surprising answers. In fact, manga has always been a global phenomenon. Countering essentialist myths of manga’s emergence from the deepest wells of Japanese art, author Andrea Horbinski shows it was born in the early 1900s, a hybrid form that crossed single-panel satirical cartoons popular in Europe and America with the Edo period’s artistic legacy. As a medium, manga initially focused on political commentary, expanding to include social satire, children’s comics, and proletarian art in the 1920s and 1930s. Manga’s evolution into a medium embracing complex, long-form storytelling was likewise driven by creators and fans pushing publishers to accept new, radical expansions in manga’s artistic and narrative practices. In the 1970s, innovative creators and fans empowered a new breed of fan-generated comics (dōjinshi) and established robust audiences of adult, female, and queer manga readers, while nurturing generations of amateur and professional creators who continue to enrich and renew manga today. |
Contents
Introduction I | 1 |
Cover of The Japan Punch 1865 | 18 |
Cartoon by Honda Kinkichirō from Marumaru Chinbun 1880 | 21 |
Manga by Imaizumi Ippyō from Jiji Shinpō 1899 | 23 |
Manga manbun by Okamoto Ippei 1916 | 34 |
Norakuro and his fellow recruits in Norakuro nitōhei 1933 | 75 |
The Norakuro Harmonica Band 1943 | 77 |
Page from Shōnen shukō book 1937 | 79 |
Opening sequence of Shintakarajima 1947 | 134 |
Children watching a kamishibai performance ca 1948 | 138 |
Cover of Manga 1948 | 140 |
Movement | 158 |
Readers in a kashihonya 1948 | 159 |
Shambling Toward the Postmodern | 185 |
Cover of Garo no 1 with art by Shirato Sanpei 1964 | 197 |
Cover of Big Comic no 1 1968 | 219 |
Issues of Yōnen Kurabu 1933 1941 1944 | 91 |
Erogurostyle manga by Yanase Masamu 1924 | 102 |
Proletarian manga by Yanase Masamu 1928 | 105 |
Cover of Manga Nihon by Katō Etsurō 1944 | 120 |
Eating Vegetables Rereading Manga | 122 |
5 | 127 |
The kiss scene from In the Sunroom 1970 | 240 |
9 | 253 |
Opening pages of Kaze to ki no uta 1976 | 265 |
Cover of Manga Burikko 1983 | 292 |
Still Preoccupied with 1989 | 303 |
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Manga's First Century: How Creators and Fans Made Japanese Comics, 1905-1989 Andrea Horbinski No preview available - 2025 |
Common terms and phrases
adults akahon manga amateur artistic Asahi ban bad books became began boom boys cartoonists cartoons characters children's manga Comiket Comitia created culture debut decade depicting dōjin dōjinshi editors eromanga fandom featured film four-panel freebies Fujiko Fujio furoku Garo gekiga gender girls Hagio increasingly Ippei Ishinomori issue Japan Japanese kamishibai kashihon manga kashihonya Katō Kodansha lolicon magazine's mainstream male Manga Burikko manga creators manga fans manga magazines manga publishers Manga Shōnen mangaka media mix Meiji modern narrative Natsume newspaper Nihon nonsense manga Norakuro Okamoto Osaka otaku panels political ponchi-e popular postwar prewar professional proletarian publication Rakuten read manga readers Rose of Versailles Ryan Holmberg satirical Sazae-san screentones serialized sexual Shimizu Shinbun Shobō Shogakukan shōjo manga Shōnen Kurabu Shōnen Magazine shōnen manga Shōwa social story manga style Tagawa Suihō Takemiya tankōbon Tatsumi Tezuka Osamu Tokiwa-sō Tokyo Puck wartime women wrote Yōnen Yonezawa zine


