Univ of California Press |
Contents
Setting the Preset | 1 |
Drum Break On Drum Machines as Presets | 81 |
The Preset Polemic | 176 |
Notes | 189 |
Bibliography | 205 |
| 229 | |
Other editions - View all
Preprogrammed: How Electronic Presets Changed Music and Media Volume 9 Amy Skjerseth No preview available - 2026 |
Preprogrammed: How Electronic Presets Changed Music and Media Volume 9 Amy Skjerseth No preview available - 2026 |
Common terms and phrases
adaptation aesthetic artists audiences audio audiovisual Auto Auto-Tune Auto-Tune's automobilic listening Babooshka binary Black buttons car radio Carlos chapter Cher Cher's Cinema collage collisions Computer Musical context created creative cruising cultural defaults dance deepfakes demo drivers drum machines edited electronic music Fairlight CMI fans floppy disks functional equivalents gender genres gimmick GLASMASH hip hop hologram human instruments interface Kate Bush Kesha keyboard labor mail art Miku's mobile Moog music videos musicians norms Oblique Strategies ORCH2 Oxford performance personas piano pitch play playlist pop stars Popular Music preset sounds presets produced programming puppet push-button presets push-button radio queer Quoted racialized radio presets record robotic Rock Rosalía sample libraries SARARR scholar screen semblance sing singers song sonic soundtracks studies Suzanne Ciani synth synthesizer T-Pain tape theremin TikTok timbres tune University Press users ventriloquism visual vocal Vocaloid vocoder voice banks VTubers Wendy Carlos women York YouTube


