Source: Music of the Avant-garde, 1966–1973Larry Austin, Douglas Kahn, Nilendra Gurusinghe The journal Source: Music of the Avant-garde was and remains a seminal source for materials on the heyday of experimental music and arts. Conceived in 1966 and published to 1973, it included some of the most important composers and artists of the time: John Cage, Harry Partch, David Tudor, Morton Feldman, Robert Ashley, Pauline Oliveros, Dick Higgins, Nam June Paik, Steve Reich, and many others. A pathbreaking publication, Source documented crucial changes in performance practice and live electronics, computer music, notation and event scores, theater and installations, intermedia and technology, politics and the social roles of composers and performers, and innovations in the sound of music. |
Contents
| 1 | |
Issue No1 | 9 |
Issue No 2 | 49 |
Issue No 3 | 91 |
Issue No 4 | 141 |
Issue No 5 | 165 |
Issue No 6 | 203 |
Issue No 7 | 229 |
Issue No 8 | 261 |
Issue No 9 | 291 |
Issue No 10 | 305 |
Issue No 11 | 347 |
Complete Contents of Source | 371 |
Credits | 381 |
Other editions - View all
Source: Music of the Avant-garde, 1966–1973 Larry Austin,Douglas Kahn,Nilendra Gurusinghe Limited preview - 2011 |
Source: Music of the Avant-garde, 1966–1973 Larry Austin,Douglas Kahn,Nilendra Gurusinghe Limited preview - 2011 |
Source: Music of the Avant-garde, 1966–1973 Larry Austin,Douglas Kahn,Nilendra Gurusinghe Limited preview - 2011 |
Common terms and phrases
action activity Alvin Lucier amplified artists audience avant-garde become Biography and photo called Cardew complete composition concert continue David Behrman David Tudor Davis DEVIA Dick Higgins electronic music environment event feedback festival film Fluxus Frederic Rzewski Fylkingen glass Gordon Mumma Graphic score happen hear HILLER idea images improvisation input instruments involved John Cage Karlheinz Larry Austin light listen loudspeakers material microphone Morton Feldman move movement Mumma musicians Neuhaus notation OFFSTAGE Duration orchestra Oscillator output Pauline Oliveros performance directions photo of composer piano pickup piece pitch play player possible present produce record ring modulator ritual Robert Ashley score with performance Scratch Orchestra signal situation solo Sound poem sound sources space Stanley Lunetta STOCKHAUSEN strings subroutine Symphony tape television theater thing tion tone tradition Verbal score visual voice volume control York أن


