Bunuel and Mexico: The Crisis of National CinemaThough Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The first book-length English-language study of Buñuel’s Mexican films, this book explores a significant but neglected area of this filmmaker's distinguished career and thus fills a gap in our appreciation and understanding of both Buñuel's achievement and the history of Mexican film. Ernesto Acevedo-Muñoz considers Buñuel's Mexican films—made between 1947 and 1965—within the context of a national and nationalist film industry, comparing the filmmaker's employment of styles, genres, character types, themes, and techniques to those most characteristic of Mexican cinema. In this study Buñuel's films emerge as a link between the classical Mexican cinema of the 1930s through the 1950s and the “new” cinema of the 1960s, flourishing in a time of crisis for the national film industry and introducing some of the stylistic and conceptual changes that would revitalize Mexican cinema. |
Contents
Introduction | 1 |
Mexican Cinema in the Time of Luis Bunuel | 15 |
Bunuel and Mexico | 32 |
Los Ohidados and the Crisis of Mexican Cinema | 57 |
Genre Women Narrative | 80 |
On the Road | 111 |
Masculinity and Class Conflict | 124 |
From Bunuel to Nuevo Cine | 143 |
Filmography of Luis Bunuel | 153 |
Notes | 159 |
| 177 | |
| 187 | |
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Common terms and phrases
Abismos de pasión Alemán Andrés Archibaldo Art/Film Stills Archive Bazin bruto Buñuel's films Buñuel's Mexican films character classical cinema Colina comedy context Conversations avec Luis crimen crisis critical director drama El ángel exterminador El bruto Emilio Fernández Ensayo family melodrama Fernando Soler filmmaking Filmófono Francisco Gabriel Figueroa García Canclini García Riera genres gran calavera Gran Casino hija del engaño Hollywood Hurdes ilusión viaja Jesús José laberinto Las Hurdes Last Sigh López Los olvidados Luis Alcoriza Luis Buñuel machismo María Candelaria Martín-Barbero melodrama Mexican cinema Mexican film industry Mexican melodrama Mexican movies Mexican Revolution Mexican society Mexico City Modern Art/Film Stills Monsiváis moral mother muerte mujer sin amor narrative national cinema Nazarín novel Octavio Paz olvidados Óscar Dancigers parody patriarchal Paz's Pedro Pérez Turrent photography political popular Producer revolutionary río screenplay sexual social soledad Spanish specific Subida al cielo surrealism surrealist Susana Un chien andalou viaja en tranvía