Blowin' the Blues Away: Performance and Meaning on the New York Jazz SceneNew York City has always been a mecca in the history of jazz, and in many ways the city’s jazz scene is more important now than ever before. Blowin’ the Blues Away examines how jazz has thrived in New York following its popular resurgence in the 1980s. Using interviews, in-person observation, and analysis of live and recorded events, ethnomusicologist Travis A. Jackson explores both the ways in which various participants in the New York City jazz scene interpret and evaluate performance, and the criteria on which those interpretations and evaluations are based. Through the notes and words of its most accomplished performers and most ardent fans, jazz appears not simply as a musical style, but as a cultural form intimately influenced by and influential upon American concepts of race, place, and spirituality. |
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AABA activities African American music Antonio Hart Art Blakey artists audience members band bass bassist blues aesthetic Bruce Barth Charlie Parker chord chorus cians clubs concept context control room critics cymbal discussion drum drummer Duke Ellington Ellington engagement ensemble evaluative example feel fieldwork figure frame gigs harmonic Hutchinson improvisation individual interaction interview jazz jazz musicians jazz performance jazz scene Joe Lovano Joshua Redman Kenny learned listening live performances mance Marsalis mean Mehldau melodic metric Mulgrew Miller musi musical event musical performance musicians Newsome Parker particularly performance venues Peter Bernstein phrases pianist piano pitch players playing record labels recording industry recording session Reedus released response rhythm rhythmic ritual Sam Newsome saxophonist scene participants social solo sound space specific started Steve Wilson styles tempo thing tion tune understanding Village Vanguard Watrous Williams writing Wynton Marsalis Yeah young musicians