Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance

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Univ of California Press, Jun 4, 2019 - Social Science - 215 pages
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Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman’s guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries—village to urban, Brahmin to non-Brahmin, hegemonic to non-normative—to explore the artifice of Brahmin masculinity in contemporary South Indian dance. 
 

Contents

Madhavi
80
Yeleswarapu Srinivas
90
Transgressing Norms
104
Satyabhama combs Madhavis hair
126
Stories of Kuchipudi Brahmin Women
134
Rewriting the Script for Kuchipudi Dance
159
Bibliography
193
Index
219
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About the author (2019)

Harshita Mruthinti Kamath is Visweswara Rao and Sita Koppaka Assistant Professor in Telugu Culture, Literature and History at Emory University.

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