The New American Crime Film

Front Cover
McFarland, Sep 18, 2012 - Performing Arts - 222 pages

The American crime film has recently enjoyed a surge in popularity and proliferation, making it the most pervasive genre in contemporary cinema. Though it now tackles current issues, it continues to reference the classic narratives and archetypes established in the great crime pictures of past decades. The titles explored in this critical survey feature a variety of themes and show that the crime film genre has fused with other genres to create fascinating hybrids. Focusing on character and plot construction, the author highlights the gangster and film noir traditions that still run strongly through recent American cinema.

Among the many filmmakers analyzed within these pages are David Lynch, Gus Van Sant, David Mamet, Werner Herzog, Sam Raimi, David Cronenberg and the Coen Brothers. Stuart Gordon, director of the cult classic Re-Animator, provides the lively and incisive foreword.

 

Contents

Foreword by Stuart Gordon
1
Preface
3
Why Genre and Why the New Crime Film Has Arrived
5
New BreakIns
15
Darkest Regions
59
The Oldschool Goes New
109
Triumphant Getaways
161
Chapter Notes
193
Bibliography
200
Index
203
Copyright

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About the author (2012)

Matthew Sorrento teaches film at Rutgers University-Camden in New Jersey. He has served as editor for Identity Theory and Film Threat and is a regular contributor to many other publications.

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