Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century

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Murray Pomerance
SUNY Press, Mar 1, 2001 - Social Science - 349 pages
Ladies and Gentlemen, Boys and Girls examines the bizarre and fascinating range of gender portrayals in film at the end of the twentieth century. In order to view the screened face of gender in bold new ways, the contributors cover a wide variety of cinematic forms and styles from the boy-girls of Hong Kong cinema to the on-screen modesty of post-revolutionary Iran to the New Hollywood s treatment of homosexuality, female power, and male intellectuality. Throughout, the works of important filmmakers are analyzed, including Ridley Scott, David Cronenberg, Jim Jarmusch, Woody Allen, Rakhshan Banietemad, Kathryn Bigelow, Bertrand Tavernier, Roman Polanski, and many others.
 

Contents

Introduction Gender in Film at the End of the Twentieth Century
1
No Safe Place Gender and Space in Polanskis Recent Films
19
Veiled Voice and Vision in Iranian Cinema The Evolution of Rakhshan Banietemads Films
37
BoyGirls Gender Body and Popular Culture in Hong Kong Action Movies
55
The Gender of GenerAsian X in Clara Laws Migration Trilogy
71
Eating and Drinking Men and Women
91
Boys Will Be Boys David Cronenbergs Crash Course in Heavy Mettle
109
The Wabbit Wenegotiates Looney Tunes in a Conglomerate Age
129
SheDevils on Wheels Women Motorcycles and Movies
203
Howards First Kiss Sissies and Gender Police in the New Old Hollywood
217
Hipsters and Nerds Black Jazz Artists and Their White Shadows
233
Lets Keep Coin On the Road with Louise and Thelma
249
Jews in Space The Ordeal of Masculinity in Contemporary American Film and Television
267
Gender and Other Transcendences William Blake as Johnny Depp
283
Marion Crane Dies Twice
301
List of Contributors
317

Real Men Dont Sing and Dance Growing Up Male with the Hollywood Musical A Memoir
149
Cruiseing into the Millennium Performative Masculinity Stardom and the AllAmerican Boys Body
171
Strange Days Gender and Ideology in New Genre Films
185

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About the author (2001)

Murray Pomerance is Professor and Chair in the Department of Sociology at Ryerson Polytechnic University, and the author of Magia D Amore and coeditor of Bang Bang, Shoot Shoot! Essays on Guns and Popular Culture.

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