Fluid Screens, Expanded Cinema

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University of Toronto Press, Jun 20, 2008 - Computers - 361 pages
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As a medium, film is constantly evolving both in form and in content. Fluid Screens, Expanded Cinema considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media.Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars from the fields of film theory, communication studies, cultural studies, and new media theory explore the ways in which digital technology is transforming contemporary visual culture. The essays consider a series of questions: What constitutes the "new" in new media? How are digital aesthetics different from film aesthetics? What new forms of spectatorship and storytelling, political community, and commodity production are being enabled through the digital media?Using Gene Youngblood's 1970 book Expanded Cinema as an anchor for the volume, Fluid Screens, Expanded Cinema understands the digital not simply as a technological form, but also as an experience of space and time that is tied to capitalism. This important collection is unique in framing a range of social justice issues with aesthetic theories of new digital screen culture that will appeal to scholars and multimedia artists prepared to break new ground.

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Contents

EXPANDING CINEMA IMMERSION
14
The Labyrinth Project
29
What Sixties Audio Experiments Can Teach
52
Copyright

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About the author (2008)

Janine Marchessault is an assistant professor in the Department of Film and Video, York University. Brenda Longfellow is a filmmaker and an associate professor at Atkinson College, York University Kass Banning teaches Cinema Studies at the University of Toronto. Kay Armatage is Chair, Graduate Programme in Womens Studies, University of Toronto.