Contemporary Westerns: Film and Television Since 1990

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Andrew Patrick Nelson
Scarecrow Press, 2013 - Performing Arts - 178 pages
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Though one of the most popular genres for decades, the western started to lose its relevance in the 1960s and 1970s, and by the early 1980s it had ridden into the sunset on screens both big and small. The genre has enjoyed a resurgence, however, and in the past few decades some remarkable westerns have appeared on television and in movie theaters. From independent films to critically acclaimed Hollywood productions and television series, the western remains an important part of American popular culture. Running the gamut from traditional to revisionist, with settings ranging from the old West to the new Wests of the present day and distant future, contemporary westerns continue to explore the history, geography, myths, and legends of the American frontier. In Contemporary Westerns: Film and Television since 1990, Andrew P. Nelson has collected essays that examine the trends and transformations in this underexplored period in Western film and television history. Addressing the new Western, they argue for the continued relevance and vibrancy of the genre as a narrative form. The book is organized into two sections: Old West, New Stories examines Westerns with common frontier locales, such as Dances with Wolves, Unforgiven, Deadwood, and True Grit. New Wests, Old Stories explores works in which familiar Western narratives, characters, and values are represented in more modern and in one case futuristic settings. Included are the films No Country for Old Men and There Will Be Blood, as well as the shows Firefly and Justified. With a foreword by Edward Buscombe, as well as an introduction that provides a comprehensive overview, this volume offers readers a compelling argument for the healthy survival of the Western. Written for scholars as well as educated viewers, Contemporary Westerns explores the genre s evolving relationship with American culture, history, and politics."

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It has been nearly a quarter-century since Dances with Wolves (1990) and Unforgiven (1992) renewed Hollywood’s interest in the Western. The genre’s current revival has, in fact, now lasted longer than ... Read full review

About the author (2013)

Andrew Patrick Nelson is assistant professor of film history and critical studies in the School of Film and Photography at Montana State University. His essays appear in Cinephile, American Horror Film: The Genre at the Turn of the Millennium, The Philosophy of Steven Soderbergh, and Love in Western Film and Television.

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