New Korean CinemaChi-Yun Shin, Julian Stringer Korean film has been heralded as the “newest tiger” of Asian cinema. In the past year, South Korea became one of the only countries in the world in which local films outsold Hollywood films, and Korean director Park Chan-wook was awarded the Grand Prix at Cannes. |
Contents
Introduction | 1 |
Vanishing | 15 |
1992 to the Present | 32 |
Globalisation and New Korean Cinema | 51 |
Marketing an Old Tradition in New Korean Cinema | 63 |
Film Festivals and the Identity | 79 |
Genre Classifications and | 95 |
Horror as Critique in Tell Me Something and Sympathy | 106 |
Comedy Melodrama and Youth Violence in Attack | 132 |
The Will Not to Forget | 159 |
Memento Mori and Other Ghostly Sexualities | 180 |
Interethnic Romance and Political Reconciliation in Asako | 193 |
Glossary of Key Terms | 210 |
Websites | 228 |
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References to this book
Deleuze, Cinema and National Identity: Narrative Time in National Contexts David Martin-Jones No preview available - 2006 |