Aesthetics and Revolution: Nicaraguan Poetry, 1979-1990Not a primer in aesthetics and revolution nor in Nicaraguan poetry, but rather a theoretical and sociohistorical intervention on aesthetics, revolution, and Marxism revised from its presentation as the author's doctoral dissertation (U. of Washington, 1990). Assumes some familiarity with the histori |
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Adorno alienation Ana Ilce Gómez artistic avant-garde becomes body bourgeois bourgeoisie campesinos Canto capitalism capitalist Central cited in text class struggle commitment compañeros consciousness critics culture Daisy Zamora democratization dialectical discourse economic Epigramas Ernesto Cardenal forces FSLN gender Georg Lukács Gioconda Belli guerrilla hand Hereafter cited historical human ideology Ilce's imperialism José Coronel Urtecho labor Laclau Latin America liberation liberation theology literary literature Lukács Lyotard Managua mano marginal Marx Marxism material materialist means of production mode of production movement mujer Nicaragua Nueva Pablo Antonio Cuadra pluralism poem Poemas Poesía poet poetic political popular poetry position postmodern postmodernist praxis proletariat radical reader realism reality realm relations Revolución revolutionary Nicaragua role Rosario Murillo Rugama sandinismo Sandinistas Sandino sexual social socialist society sociohistorical Solentiname sólo somocismo Somoza speaker stance thematic theory tierra tion Tomás Borge traditional universe Urtecho vanguardia verses women workers workshops Zamora's