Moving History/Dancing Cultures: A Dance History Reader

Front Cover
Ann Dils, Ann Cooper Albright
Wesleyan University Press, Oct 19, 2001 - Performing Arts - 492 pages

A comprehensive and multifaceted anthology of dance history — ideal for the classroom.

This new collection of essays surveys the history of dance in an innovative and wide-ranging fashion. Editors Dils and Albright address the current dearth of comprehensive teaching material in the dance history field through the creation of a multifaceted, non-linear, yet well-structured and comprehensive survey of select moments in the development of both American and World dance. This book is illustrated with over 50 photographs, and would make an ideal text for undergraduate classes in dance ethnography, criticism or appreciation, as well as dance history—particularly those with a cross-cultural, contemporary, or an American focus.

The reader is organized into four thematic sections which allow for varied and individualized course use: Thinking about Dance History: Theories and Practices, World Dance Traditions, America Dancing, and Contemporary Dance: Global Contexts. The editors have structured the readings with the understanding that contemporary theory has thoroughly questioned the discursive construction of history and the resultant canonization of certain dances, texts and points of view. The historical readings are presented in a way that encourages thoughtful analysis and allows the opportunity for critical engagement with the text.

 

Contents

02 Dils Part _ pp 91230 fi
91
03Dils Part _ pp 231368 f
231
04Dils Part _ pp 369474 f
369
P_ms pp 475484
475
06Dils Index_p 485496 fin
485
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About the author (2001)

ANN DILS is a professor of dance at the University of North Carolina at Greensboro, and coeditor of Dance, Place, and Identity. A dancer and scholar, Ann Cooper Albright is Professor of Dance at Oberlin College. She is the author of How to Land: finding ground in an unstable world which offers ways of thinking about and dealing with the uncertainty of our contemporary lives; Engaging Bodies: The Politics and Poetics of Corporeality; Modern Gestures: Abraham Walkowitz Draws Isadora Duncan Dancing; Traces of Light: Absence and Presence in the Work of Loïe Fuller; and Choreographing Difference the Body and Identity in Contemporary Dance. She is founder and director of Girls in Motion, an award-winning afterschool program at Langston Middle School and co-director of Accelerated Motion: Towards a New Dance Literacy, a digital collection of materials about dance. Albright is also a veteran practitioner of contact Improvisation, has taught workshops internationally, and facilitated Critical Mass: CI @ 50 which brought 300 dancers from across the world to learn, talk, and dance together in celebration of the 50th anniversary of this extraordinary form. The book Encounters with Contact Improvisation, is the product of one of her adventures in writing and dancing with others. Her work has been supported by the NEA, NEH, ACLS, The Guggenheim Foundation, and the Ohio Arts Council.

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