The Incomplete Projects: Marxism, Modernity, and the Politics of Culture

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Wesleyan University Press, Dec 23, 2002 - Literary Criticism - 203 pages

A concise, lively account of Marxist thought and American culture

The Incomplete Projects reevaluates the role of Marxist theory in the study of culture and makes a case for Marxist cultural analysis as a relevant political practice. Part I provides the reader with a comprehensive and lively overview of Marxist thought. Part II is a collection of case studies analyzing a wide range of cultural objects, from the novels of Philip K. Dick to the television series M*A*S*H. The objects of study are either American or British in origin, reflecting the dominance of Anglo-American culture in our new global economy; they are also what Freedman describes as 'middle culture,' falling somewhere between the bifurcated categories of high and low art. Through these case studies, Carl Freedman shows that it is impossible to make sense of capitalism without the Marxist critique and demonstrates that cultural analysis is an especially appropriate form of discourse in which to begin thinking politically. This book is particularly timely and relevant to anyone interested in the study of culture.

 

Selected pages

Contents

The Situation of Modernity and the Crisis of Political Thinking at the Present Time
3
From History to Myth The Ideology of MASH
45
England as Ideology From Upstairs Downstairs to A Room with a View
68
On Kubricks 2001 Form and Ideology in ScienceFiction Cinema
91
Power Sexuality and Race in All the Kings Men
113
Labor and Politics in Dashiell Hammetts Red Harvest
127
Late Modernity and Paranoia The Science Fiction of Philip K Dick
147
Antinomies of Nineteen Eightyfour
161
Index
193
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About the author (2002)

CARL FREEDMAN is Associate Professor of English at Louisiana State University, author of many articles and of George Orwell: A Study in Ideology and Literary Form (1988), and recipient of the Science Fiction Research Association's 1999 Pioneer Award.

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