Becoming Christian: Race, Reformation, and Early Modern English Romance

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Oxford University Press, 2014 - Literary Criticism - 259 pages
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Becoming Christian argues that romance narratives of Jews and Muslims converting to Christianity register theological formations of race in post-Reformation England. The medieval motif of infidel conversion came under scrutiny as Protestant theology radically reconfigured how individuals acquire religious identities.

Whereas Catholicism had asserted that Christian identity begins with baptism, numerous theologians in the Church of England denied the necessity of baptism and instead treated Christian identity as a racial characteristic passed from parents to their children. The church thereby developed a theology that both transformed a nation into a Christian race and created skepticism about the possibility of conversion. Race became a matter of salvation and damnation.

Britton intervenes in critical debates about the intersections of race and religion, as well as in discussions of the social implications of romance. Examining English translations of Calvin, treatises on the sacraments, catechisms, and sermons alongside works by Edmund Spenser, John Harrington, William Shakespeare, John Fletcher, and Phillip Massinger, Becoming Christian demonstrates how a theology of race altered a nation's imagination and literary landscape.
 

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Contents

Not Turning the Ethiope White
1
1 The Baptizd Race
35
2 Ovidian Baptism in Book 2 of The Faerie Queene
59
Translation Reading and Conversion in Haringtons Orlando Furioso
91
Returning Othello and the Location of Christian Identity
112
Salvation Race and Gender on the Early Modern English Stage
142
A Political Afterlife of a Theology of Race and Conversion
173
Notes
177
Bibliography
229
Index
253
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About the author (2014)


Dennis Austin Britton is Associate Professor of English at the University of New Hampshire. His areas of research include early modern English literature, Reformation theology, and race and ethnic studies. In 2012, he received a year-long National Endowment for the Humanities Fellowship at the Folger Shakespeare Library.

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