Musical Comedy in AmericaFirst Published in 1987. This is the second edition with an additional foreword. The purpose of this book--the first to recount the history of the popular musical stage on Broadway and its intersecting streets--is to tell what the various entertainments were like, how they looked and sounded, who was in them, and why they made people laugh or cry. The values employed in the book are changeable and inconsistent. Sometimes an affable smile is bestowed upon a musical comedy, burlesque, or revue that was really very bad. Sometimes a harsh verdict is brought in against an entertainment that received widespread approval and praise. |
Contents
Before The Black Crook | 2 |
The Black Crook | 7 |
The Death of Pantomime | 13 |
The Bleached Blondes | 16 |
Evangeline and Edward E Rice | 19 |
The Kiralfys | 28 |
FarceComedy | 31 |
The First Decade | 39 |
Before and During the First World | 93 |
A New Era | 102 |
New Art and Old Formulas | 114 |
The Postwar Revue | 125 |
Musical Comedy from 1919 to 1925 | 136 |
The Revue Becomes Civilized | 144 |
The Past The Present and The Future | 201 |
THE 1950s | 207 |
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Common terms and phrases
adaptation American musical appeared attractions audience ballet beauty became Best Musical Black Crook Broadway musical burlesque called cast character choreographer chorus girls Cohan collaboration color comic opera composer costumes dance dancers decade director Dramatic Mirror entertainment Evangeline extravaganza fantasy farce farce-comedy film Follies Gaiety gave George Gershwin Gilbert and Sullivan Hart Humpty Irving Berlin Jerome Kern Lady later librettist libretto Lillian Russell London lyricist melodies Merry Widow Miss musical comedy musical stage musical theatre musical-comedy never night opening operetta orchestra original pantomime Passing Show performances piece played plot popular Porgy Porgy and Bess Prince production numbers revival revue Rice Rice's Robert rock Rodgers and Hammerstein Rodgers and Hart role romantic sang satire scene score show's Shuberts singing songs spectacle star Stephen Sondheim story style Styne success talent theatrical Tony tunes vaudeville waltz Winter Garden wrote York young Ziegfeld