Rockin' the Boat: Mass Music and Mass MovementsReebee Garofalo "Popular music, for all its contradictions, lets us feel the pulses of grassroots social awareness...Rockin' provides excellent, detailed documentation of a wide variety of social stirrings. It's a source of hope." -Dick Flacks, UC Santa Barbara. |
Contents
Introduction | 1 |
The Global Stage | 7 |
If We Are the World | 15 |
Diverse Rock Rebellions Subvert Mass Media Hegemony | 37 |
Rock Around the World | 67 |
A Rock Musical Subculture | 93 |
Popular Music | 115 |
The Rise of PatrioticProDemocratic | 129 |
Music Beyond Apartheid? | 195 |
Rock Nacional and Dictatorship in Argentina | 209 |
Bringing It All Back Home | 231 |
No Longer a Small Private Party | 241 |
Reconstructions of Nationalist Thought in Black Music | 255 |
Cruising Around the Historical Bloc | 267 |
Footnotes | 281 |
Bibliography | 319 |
Social Protest and Popular Music | 171 |
Some AntiHegemonic Aspects of African Popular Music | 185 |
About the Contributors | 331 |
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Common terms and phrases
Aboriginal Aboriginal music album Angeles anti-apartheid apartheid artists audience Australian bands became broadcast CAAMA cantopop cassette Chicano Chinese Civil Rights commercial concert context created Cui Jian dance democracy movement dominant economic event example expression groups Hawaii Hawaiian music hegemonic Hollingsworth Hong Kong Hong Kong Alliance ideology important interview jazz labels lesbian Live Aid London mainstream Mandela Tribute marginal mass culture mass media mass music Media Aid mega-events music industry musicians nationalist Nelson Mandela organization Party performers play political popular culture popular music production punk radical radio record companies Red Wedge reggae released rhythm and blues rock and roll rock music rock nacional role singers social society songs sound South African music struggle style subculture Sun City television Tracy Chapman traditional University Press women's music York young youth