American Literature in Transition, 1950–1960

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Steven Belletto
Cambridge University Press, Dec 28, 2017 - Literary Criticism
American Literature in Transition, 1950–1960 explores the under-recognized complexity and variety of 1950s American literature by focalizing discussions through a series of keywords and formats that encourage readers to draw fresh connections among literary form and concepts, institutions, cultures, and social phenomena important to the decade. The first section draws attention to the relationship between literature and cultural phenomena that were new to the 1950s. The second section demonstrates the range of subject positions important in the 1950s, but still not visible in many accounts of the era. The third section explores key literary schools or movements associated with the decade, and explains how and why they developed at this particular cultural moment. The final section focuses on specific forms or genres that grew to special prominence during the 1950s. Taken together, the chapters in the four sections not only encourage us to rethink familiar texts and figures in new lights, but they also propose new archives for future study of the decade.
 

Contents

Introduction
1
Part I Cultural Issues
15
Part II Varieties of Literary Experience
101
Part III Schools Movements and Sensibilities
193
Part IV Formats and Genres
297
Bibliography
338
Index
360
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About the author (2017)

Steven Belletto is Associate Professor of English at Lafayette College. He is author of No Accident, Comrade: Chance and Design in Cold War American Narratives (2012), editor of The Cambridge Companion to the Beats (Cambridge, 2017), and co-editor of American Literature and Culture in an Age of Cold War: A Critical Reassessment (2012). The author of numerous articles on post-1945 American literature and culture that have appeared in journals such as American Literature, American Quarterly, ELH, and Twentieth-Century Literature, from 2011016 he was associate editor for the journal Contemporary Literature, and is now an editor there. He is currently writing a literary history of the Beats to be published by Cambridge University Press.

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