Music from the House of Hammer: Music in the Hammer Horror Films, 1950-1980

Front Cover
Scarecrow Press, Jun 28, 1996 - Music - 224 pages
In the 1950s, Hammer Film Productions, a small British filmmaking company, introduced the world to a new genre of motion picture. Referred to by some as "horror," by others as "fantasy," Hammer films had a unique look and feel that many other studios would later attempt—and fail—to capture.

Hammer films also had a unique sound. For although the studio was small and the budgets limited, those involved in making the Hammer films recognized that the musical score was just as important as the set, the actors, and the script in telling the story.

Consequently, Hammer Films Productions recruited the best musical talent to make its films come alive. Those artists and the work they did are chronicled here in careful detail by Randall D. Larson. From the studio's fledging days, through its great successes of the 60s and early 70s, Music from the House of Hammer offers an inside look at how the "Hammer sound" was developed and nurtured.
 

Contents

Emergence of a Musical Genre
1
Musical Directors Musical Direction
5
Reused Music
15
James Bernard
17
Diverse Hands
51
Twilight
103
Swan Songs
129
Nonhorror Notables
135
Hammers Television Music
147
Coda
153
Alas Poor Hammer I Knew it Well
155
Appendices
161
Index
185
About the Author
195
Copyright

Other editions - View all

Common terms and phrases

About the author (1996)

Randall D. Larson has written a number of books, articles, and papers on film music, film novelizations, and horror literature.

Bibliographic information