The Sound of Hope: Music as Solace, Resistance and Salvation During the Holocaust and World War II

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McFarland, Jun 25, 2020 - Social Science - 318 pages

Since ancient times, music has demonstrated the incomparable ability to touch and resonate with the human spirit as a tool for communication, emotional expression, and as a medium of cultural identity. During World War II, Nazi leadership recognized the power of music and chose to harness it with malevolence, using its power to push their own agenda and systematically stripping it away from the Jewish people and other populations they sought to disempower. But music also emerged as a counterpoint to this hate, withstanding Nazi attempts to exploit or silence it. Artistic expression triumphed under oppressive regimes elsewhere as well, including the horrific siege of Leningrad and in Japanese internment camps in the Pacific. The oppressed stubbornly clung to music, wherever and however they could, to preserve their culture, to uplift the human spirit and to triumph over oppression, even amid incredible tragedy and suffering.

This volume draws together the musical connections and individual stories from this tragic time through scholarly literature, diaries, letters, memoirs, compositions, and art pieces. Collectively, they bear witness to the power of music and offer a reminder to humanity of the imperative each faces to not only remember, but to prevent another such cataclysm.

 

Contents

Preface
1
The Power of Music
5
1 The Rise of the Third Reich and Its Cultural Agenda
9
2 Alma Rosé and the Womens Orchestra at AuschwitzBirkenau
21
From Dachau to the World
61
4 Alice HerzSommer and the Music in Terezín
79
5 Władysław Szpilman and the Warsaw Ghetto
121
A Composer Confronts the End of Time
157
7 Dmitri Shostakovich and the Musical Redemption of Leningrad
185
Female POWs on Sumatra
227
Out of the Ashes The Israel Philharmonic and Violins of Hope
277
Chapter Notes
295
Bibliography
301
Index
305
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About the author (2020)

Kellie D. Brown is a professor of music at Milligan University, where she also serves as the chair of the music department and conductor of the Milligan Orchestra. She is a frequent clinician and performer throughout the country and serves as the assistant conductor and associate concertmaster of the Johnson City Symphony Orchestra. A recognized authority on music in the concentration camps during the Holocaust, she frequently speaks throughout the United States at academic institutions and conferences on Holocaust music. She lives in Kingsport, Tennessee.

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