The French Symphony at the Fin de Siècle: Style, Culture, and the Symphonic Tradition
In this first full-length study of the symphony in late nineteenth- and early twentieth-century France, Andrew Deruchie provides extended critical discussion of seven of the most influential and frequently performed works of the era, by Camille Saint-Sa ns, C sar Franck, douard Lalo, Vincent d'Indy, and Paul Dukas. The volume explores how these symphonists modernized the art form yet preserved many of the formal and rhetorical conventions of the canon, reconciling, in particular, Beethoven's symphonic legacy with the musical culture, intellectual environment, and political milieu of fin-de-si cle France. Drawing on contemporary criticism, music histories, composers' prose, and unpublished sketches, Deruchie's readings offer fresh insights on issues of musical form and technique, and also move beyond the notes to consider questions of meaning. Andrew Deruchie is a lecturer in musicology at the University of Otago (New Zealand).
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adagio aesthetic allegro appears B-flat major bass becomes Beethoven’s Beethoven’s Fifth beginning Berlioz C-major César Franck Chausson Chausson’s Symphony chorale chord chromatic Chroniques musicales coda composer composer’s concerts Conservatoire Cours de composition critics cyclic theme d’Indy’s Debussy dominant Dukas Dukas’s Édouard Lalo Ernest Chausson Eroica Example exposition expressive Fiesque Fin de Siècle finale first-movement flat formal Franck’s Symphony French music French Symphony genre genre’s half cadence harmonic Ibid initial La Symphonie Lalo Lalo’s listeners Liszt material measures melodic ment minor minor-mode motive motto Mountain Symphony musique narrative nineteenth-century Ninth opera orchestral passage Paul Dukas pentatonic perhaps phrase piano pitch progress recapitulation rehearsal rhythm rhythmic Ropartz Saint-Saëns Saint-Saëns’s Third scherzo Schumann Second Symphony sixth slow introduction slow movement sonata subordinate theme symphonic poem symphonists symphony’s texture thematic Third Symphony Tiersot tion tonal tonic major tradition transition triad variation Vincent d’Indy Wagner whole-tone scale work’s