The Documentary Film Book

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British Film Institute, Oct 1, 2013 - Performing Arts - 416 pages
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Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film.

In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.

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About the author (2013)

Brian Winston is Lincoln Chair of Communications at the University of Lincoln, UK. He has an Emmy for documentary script-writing, has taught documentary in both the US and the UK, and has been involved with many international documentary film festivals and the Visible Evidence conference series. He is the author of Media, Technology and Society: A History, from the Telegraph to the Internet, Fires Were Started, Lies, Damn Lies and Documentaries, and Messages: Free Expression, Media and the West, from Gutenberg to Google.

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