Gendered Citizenship: Manifestations and Performance

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Bishnupriya Dutt, Janelle Reinelt, Shrinkhla Sahai
Springer, Nov 23, 2017 - Performing Arts - 345 pages
This book explores how citizenship is differently gendered and performed across national and regional boundaries. Using ‘citizenship’ as its organizing concept, it is a collection of multidisciplinary approaches to legal, socio-cultural and performative aspects of gender construction and identity: violence against women, victimhood and agency, and everyday issues of socialization in a globalized world. It brings together scholars of politics, media, and performance who are committed to dialogue across both nation and discipline.
This study is the culmination of a two-year project on the topic of 'Gendered Citizenship', arising from an international collaboration that has sought to develop a comparative and yet singular perspective on performance in relation to key political themes facing our countries of origin in the early decades of this century. The research is interdisciplinary and multinational, drawing on Indian, European, and North and South American contexts.
 

Contents

Chapter 1 Introduction
1
How is Citizenship Gendered?
19
Chapter 2 The Dilemmas of Performative Citizenship
25
Truth Tales and the Partition Archives
44
Chapter 4 When State Policy Refracts the Mother
63
Queer Publics Sexual Justice and Activism in Eastern Europe and India
78
Performance Art in India and Narratives of Nationalism and Citizenship
99
Practising Citizenship Through Art
117
Old Questions New Answers?
197
Many Faces of Child Asylum Seekers
214
Rescue Resistance and Empowerment
233
Chapter 13 Is a Trafficked Woman a Citizen? Survival and Citizenship in Performance
237
Rehabilitation Through Tools from Performance
255
Loss and Desire in the Social Reintegration of Guerrilla ExCombatants in Colombia
271
Sex Trafficking Child Labour and Circus as a Site of Negotiations
290
Chapter 17 Sexuate Agency and Relationality in Witnessing Kashmir Violence
309

Challenging the Vulnerability of Women
140
Anupama Chandrasekhars Acid and Free Outgoing
145
Rape in 1980s Bombay Cinema
163
Reading Contemporary Migrant Domestic Labour Through Genets Maids
181
The Artist as Citizen Resisting Official History
331
Index
333
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About the author (2017)

Bishnupriya Dutt is Professor and Dean in the School of Arts and Aesthetics at Jawaharlal Nehru University, India, and serves on the executive committee of IFTR.

Janelle Reinelt is Emeritus Professor at the University of Warwick, UK, and former President of IFTR.

Shrinkhla Sahai is completing her PhD at Jawaharlal Nehru University, India, and is an independent media critic, radio professional and dancer in Delhi.

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