Painting as a Weapon: Progressive Cologne 1920-1933 : Siewert, Hoerle, ArntzThe Cologne Progressives rejected the connection between art and radical politics embraced by other movements--such as the Neue Sachlichkeit--concurrently active in Weimar Germany. This collection examines the movement--which was declared degenerate during the Nazi period--with an essay by Lynette Roth and illustrations of more than 100 works, some never-before-published. |
