Central Africa in the Caribbean: Transcending Time, Transforming Cultures

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University of West Indies Press, 2003 - History - 391 pages

Central Africa in the Caribbean is the product of more than three decades of research. Maureen Warner-Lewis's pioneering study analyses some of the main lineaments of the Central African cultural legacy in the Caribbean, with fascinating transatlantic comparative data. She identifies Central African cultural forms in areas settled by the Koongo, Mbundu and Ovimbundu (the two present-day Congos and Angola) and illuminates Caribbean thought and customs through comparison with those cultures.

The work is based on extensive primary and secondary sources, oral interviews, folk-tales, and songs. Additionally, through her knowledge of the functional languages of the region - Spanish, English, French, and their creoles - Warner-Lewis accesses a wide range of pre-existing research on the Central African cultural impact on the Americas; this gives her work a unique pan-Caribbean breadth.

Warner-Lewis's multidisciplinary approach highlights the debate concerning the origin and transformation of cultural forms in the Caribbean against a larger background of African culture and economy, and Atlantic World colonialism and slavery. This book is invaluable for scholars and general readers interested in African diaspora studies, African and Caribbean history, linguistics, music, religion, and cultural anthropology.

 

Contents

West Central Africa after European Contact
1
Outer limits and provinces of the Kingdom
4
Some Koongo subgroups
16
Figures
25
Experiences of Enslavement
28
Nkuumbu ntele
30
Njebele
36
musket 1815
51
Christianity and Associated Religions
176
Tala mukinji
182
Ritual War and Masquerade
199
Who bar mi bani
212
die I die
217
Games Dance and Music
227
Mukila we
261
Speech Culture
264

Mboz e
54
Central Africans as Individuals in Community
57
Economic Skills and Domestic Activity
84
Kyele
88
1910
90
Bangale
96
Courtesies and Rites of Passage
108
Pussy 11819
118
Yenge
125
Religious Cosmology and Praxis
138
Kobi
150
Tilika
271
Bòn ju makumè
277
Language Legacy
303
1ab Brother and sister of Koongo Hausa
305
Ba mbale 31314
313
tumba francesca ensembles
326
Conclusion
330
Notes
345
References
360
Index
386
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About the author (2003)

MAUREEN WARNER-LEWIS is Professor Emerita, African-Caribbean Language and Orature, Department of Literatures in English, University of the West Indies, Mona, Jamaica. Her many publications include E. Kamau Brathwaite?s ?Masks?: Essays and Annotations; Yoruba Songs of Trinidad; Trinidad Yoruba: From Mother Tongue to Memory; Central Africa in the Caribbean: Transcending Time, Transforming Cultures; and Archibald Monteath: Igbo, Jamaican, Moravian.

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