Obscure Objects of Desire: Surrealism, Fetishism, and PoliticsThrough the analysis of narratives, paintings and objets surr�alistes by Breton, Aragon, Dal�, and others, Malt examines how the object emerges as psychologically and historically marked in the surrealist context, functioning as both fetish and fetishized commodity. Responding to recent debates about the role of the uncanny and the representation of the body in surrealist art and literature, Malt's study offers new perspectives on familiar works such as the paintings of Salvador Dal� as well as illuminating relatively neglected ones such as Breton's po�mes-objets. |
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Contents
Subjectivity and Revolutionary Commitment | 9 |
Benjamin | 41 |
The Surrealist Object in Theory | 76 |
The Surrealist Object as Fetish | 121 |
Poetry in the Object World | 144 |
Painting and the Fetish Surface | 180 |
Conclusion | 212 |
222 | |
231 | |
Common terms and phrases
activity Adorno aesthetic already appears Aragon arcade argues artistic aspect associations attempt aura become Benjamin body Breton brings castration Chapter claims collective commodity concept construction context course created critical culture Dalí Dali's describes desire dialectical disavowal display draws dream elements engagement example existence experience expression fact fantasy fetish fetishistic figure forces Foster function hand human idea important individual kind language look manifestation material matter means movement Nadja nature never once original painting Paris particularly Passage Paysan picture play poème-objet political position possible present production Project question reference relation relationship represent representation response revolutionary role seems seen sense sexual significant simply social society space status suggest surface surrealism surréalisme surrealist object theory tion transformation uncanny unconscious violence visual window writing