The Longing for Myth in Germany: Religion and Aesthetic Culture from Romanticism to Nietzsche

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University of Chicago Press, 2004 - History - 428 pages
Since the dawn of Romanticism, artists and intellectuals in Germany have maintained an abiding interest in the gods and myths of antiquity while calling for a new mythology suitable to the modern age. In this study, George S. Williamson examines the factors that gave rise to this distinct and profound longing for myth. In doing so, he demonstrates the entanglement of aesthetic and philosophical ambitions in Germany with some of the major religious conflicts of the nineteenth century.

Through readings of key intellectuals ranging from Herder and Schelling to Wagner and Nietzsche, Williamson highlights three crucial factors in the emergence of the German engagement with myth: the tradition of Philhellenist neohumanism, a critique of contemporary aesthetic and public life as dominated by private interests, and a rejection of the Bible by many Protestant scholars as the product of a foreign, "Oriental" culture. According to Williamson, the discourse on myth in Germany remained bound up with problems of Protestant theology and confessional conflict through the nineteenth century and beyond.

A compelling adventure in intellectual history, this study uncovers the foundations of Germany's fascination with myth and its enduring cultural legacy.
 

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Contents

Theophany and Revolution The Romantics Turn to Myth
19
The Construction of a National Mythology The Romantic and Vormärz Eras
72
Olympus under Siege Creuzers Symbolik and the Politics of the Restoration
121
From Scriptural Revelation to Messianic Myth The Bible in Vormärz
151
Richard Wagner and Revolutionary Humanism
180
Myth and Monotheism in the Unification Era 18501880
211
Nietzsches Kulturkampf
234
EPILOGUE
285
NOTES
301
SELECTED BIBLIOGRAPHY
385
INDEX
409
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About the author (2004)

George Williamson is an assistant professor of history at the University of Alabama.

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