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Muscular Christianity and the Spectacle
Footlighting the Dark Continent
Desire Mimetic Jeopardy and Performing Spectators
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action aesthetic African American ance Anita Hill appearance argues artists audience become behaviour black cultural Bornstein Bosjesmans choreography circum-Atlantic Clarence Thomas constitute constructed cosmetic surgery critical critique dance dancers desire discourse display Drama East Germans essay exhibit feminine feminist Finley Finley's forms gender gesture hearings heterosexual Hill-Thomas Hill's Holocaust homophobia homosexuality Ibid identity Jacobs Judith Butler Karen Finley Kate Bornstein language lesbian live London male masculine means narrative norms object orature Orlan patrons Peggy Phelan performance studies plastic surgery play political Power Team practice produced psychoanalysis queer question racial relation relationship representation Richard Schechner ritual roles script sense sexual injury social space spectacle spectators speech act stage strategies strip events strip shows strippers striptease suggest surgical Team's theatre theatrical Theory Thomas Tiananmen Square tion traditional transsexual victim woman women words York Zulu