Reading Rembrandt: Beyond the Word-image Opposition

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Amsterdam University Press, 2006 - Literary Criticism - 494 pages
Reading Rembrandt: Beyond the Word-Image Opposition explores the potential for an interdisciplinary methodology between visual art and literature. In a series of close analyses of works by "Rembrandt" - works as we see them today, through all the ways of seeing and commenting that precede - and texts related to those works, Mieke Bal questions the traditional boundaries between literary and visual analysis. Bal also studies Rembrandt's complex handling of gender and the representation of women in Rembrandt's painting. The methods used in this study come from both in- and outside the history of art. They demonstrate the author's sensitivity to the visual aspects of Rembrandt's work as meaningful. The works by Rembrandt gain in depth and interest, but an original perspective of the role of visuality in our culture also emerges, which ultimately has consequences for our views of gender, the artists, and the act of reading.

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Contents

Introduction
1
Why Rembrandt?
9
The Content of This Study
15
Copyright

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About the author (2006)

Mieke Bal is professor at the Royal Netherlands Academy of Arts and Sciences and cofounder of the Amsterdam School for Cultural Analysis at the University of Amsterdam. Her previous books include Louise Bourgeois' Spider: the Architecture of Art-Writing and The Artemisia Files: Artemisia Gentileschi for Feminists and Other Thinking People, both published by the University of Chicago Press.

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