Site-specificity: The Ethnographic TurnThis, the fourth volume of de-, dis-, ex-., analyses the history of correspondences between art and ethnographic practice. Contributors consider the founding of art historical and ethnographic method in the 1920s, the transgression of these traditions in the 1930s by The College of Sociology, and the ongoing development and critique of both methods in art practices, such as Sophie Calle's and Renee Green's. Contributors include Lothar Baumgarten, Marc Auge, James Clifford, Anne Rorimer, Miwon Kwon, Arnd Schneider, James Meyer and Susanne Kuchler. 72 b/w illustrations |
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Contents
Figures of Travel in Contemporary | 10 |
The Seen and the Unseen | 30 |
An Ethnographer in the Field | 52 |
Copyright | |
4 other sections not shown
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activity aesthetic already American anthropology appears architecture art history artist attempt authority Baumgarten become CALIFORNIA Calle central centres century classical collective concept concern construction contemporary context critical critique cultural desire display documented draws early emerged ERSITY essay ethnographic European example exhibition existence experience fact feathers function gift Green Guaraní human identity important indigenous inhabitants installation Institute interest interpretation kind knowledge language late later LIBRARY lives London material meaning museum names nature nomadism notion objects observation origins ornament particular past performance persons photographs politics position possible practice present Press primitive production projects question recent reference reflection regarded relations representation SAN DIEGO sense similar social societies space specific suggested theory things thought tradition turn UNIV UNIVERSITY Uruguay visual Western writing York