Music, Gestalt, and Computing: Studies in Cognitive and Systematic MusicologyThis book presents a coherent state-of-the-art survey on the area of systematic and cognitive musicology which has enjoyed dynamic growth now for many years. It is devoted to exploring the relationships between acoustics, human information processing, and culture as well as to methodological issues raised by the widespread use of computers as a powerful tool for theory construction, theory testing, and the manipulation of musical information or any kind of data manipulation related to music. |
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Contents
Introduction | 1 |
Gestalt Theory Revisited | 11 |
An Introduction | 13 |
Systematic Cognitive and Historical Approaches in Musicology | 30 |
Some Remarks Concerning the Relationship of Guido Adler to Richard Wallaschek Alexius Meinong Christian von Ehrenfels and Robert Lach | 42 |
Limitations and Possibilities | 57 |
Logic Gestalt Theory and Neural Computation in Research on Auditory Perceptual Organization | 70 |
Knowledge in Music Theory by Shapes of Musical Objects and SoundProducing Actions | 89 |
Effects of Perceptual Organization and Musical Form on Melodic Expectancies | 294 |
Studying Melodic Expectation in the Creative Microdomain Seek Well | 321 |
From Timbre to Texture | 335 |
Two Approaches | 337 |
Towards a More General Understanding of the Nasality Phenomenon | 351 |
Karl Erich Schumanns Principles of Timbre as a Helpful Tool in Stream Segregation Research | 362 |
CrossSynthesis Using Interverted Principal Harmonic SubSpaces | 375 |
Gestalt Phenomena in Musical Texture | 386 |
Statistical Gestalts Perceptible Features in Serial Music | 103 |
From Pitch to Harmony | 115 |
Carl Stumpf Revisited | 117 |
Testing the Hypothesis of Psychoneural Isomorphism by Computer Simulation | 144 |
Selforganizing Neural Nets and the Perceptual Origin of the Circle of Fifths | 169 |
A Model of the Perceptual Roots of a Chord Accounting for Voicing and Prevailing Tonality | 181 |
A RegressionAnalysis of Some Psychological Chord Progression Data Obtained in an Experiment by J Bharucha and CKrumhansl | 200 |
Problems of Shape and Background in Sounds with Inharmonic Spectra | 214 |
A Method of Analysing Harmony Based on Interval Patterns or Gestalten | 225 |
Neural Network Models for the Study of PostTonal Music | 237 |
From Rhythm to Expectation | 251 |
Is There a Psychological Basis for Proportional Tempo Theory? | 253 |
A Framework for the Subsymbolic Description of Meter | 263 |
A Formal Model for Determining Local Boundaries Accents and Metre in a Melodic Surface | 277 |
From Musical Expression to Interactive Computer Systems | 407 |
Technology of Interpretation and Expressive Pulses | 409 |
Intonational Protention in the Performance of Melodic Octaves on the Violin | 421 |
Sonological Analysis of Clarinet Expressivity | 431 |
Perceptual Analysis of the Musical Expressive Intention in a Clarinet Performance | 441 |
Singing Mind and Brain Unit Pulse Rhythm Emotion and Expression | 451 |
Emulating Gestalt Mechanisms by Combining Symbolic and Subsymbolic Information Processing Procedures | 469 |
Interactive Computer Music Systems and Concepts of Gestalt | 482 |
GestaltBased Composition and Performance in Multimodal Environments | 495 |
List of Sound Examples on the CD | 509 |
List of Sound Examples on the CD | 511 |
| 517 | |
| 519 | |
Other editions - View all
Music, Gestalt, and Computing: Studies in Cognitive and Systematic Musicology Marc Leman No preview available - 2014 |
Common terms and phrases
according Acoustical analysis applied approach aspects auditory beat brain chord cognitive complex composed concept considered context continuation correlation corresponding defined described determined direction duration dynamic effect environment expectancies experiment expressive fact factors frequency function Gestalt given grouping harmonic higher human images implicative important input interactive interpretation interval Journal learning listeners major means measure melodic method metric modulation musicology nasal nature neural notes objects octave organization parameters particular patterns perceived perception performance pitch played possible predictions present Press principles problem processes produced psychology pulse represent representation respect response root rules scale schema sequences shapes shows similar simulation singing Sound Example structure Stumpf subjects synthesis systematic tempo texture theory timbre tion tonal tone triads unit University values various weights whole
References to this book
Mathematics and Music: A Diderot Mathematical Forum Gerard Assayag,Hans G. Feichtinger Limited preview - 2002 |
Bibliographic information
| Title | Music, Gestalt, and Computing: Studies in Cognitive and Systematic Musicology Volume 1317 of Lecture Notes in Computer Science Lecture Notes in Artificial Intelligence |
| Editor | Marc Leman |
| Contributors | A. Camurri, J. Louhivuori, R. Parncutt, A. Schneider |
| Edition | illustrated |
| Publisher | Springer Science & Business Media, 1997 |
| ISBN | 3540635262, 9783540635260 |
| Length | 530 pages |
| Subjects | › › Computers / Computer Vision & Pattern Recognition Computers / Desktop Applications / Design & Graphics Computers / Intelligence (AI) & Semantics Computers / Interactive & Multimedia Computers / Optical Data Processing Computers / Social Aspects / General Computers / Software Development & Engineering / General Science / Acoustics & Sound Science / Waves & Wave Mechanics |
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