Making Art Global: The Third Havana Biennial 1989. (Part 1)
"The third edition of the Bienal de La Habana, which took place in 1989, extended the global territory of contemporary art and redegined the biennial model. This book examines the project in its historical and international contexts ... Making art global (part 2) will focus on the Paris exhibition 'Magiciens de la Terre' of 1989."--P.  of cover.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Making Art Global Charles Esche
The Third Bienal de La Habana and the Origins of the Global Exhibition Rachel Weiss
The Third Bienal de La Habana in Its Global and Local Contexts Gerardo Mosquera
37 other sections not shown
Other editions - View all
activities aesthetic Africa Argentina artists became become Biennial Brazil called Camnitzer Casa Centro Wifredo Lam collective communication conference considered contemporary art context continued countries created critical Cuba Cuban Cuban art cultural curatorial curators debate defined developed direct discourse discussion edition established event example exhibition experience fact forms Gerardo given global going Havana idea identity images important included India installation institutions interesting involved issues José kind La Habana Latin America Llanes looking Luis materials means Mexico Mosquera Museum nature noted Núcleo official organised paintings participating particular political popular position practice presented production question reason references reflected relation relationship representation result role seems seen sense situation social societies space structure Text things third Bienal Third World toys tradition University visual Western young