The Aesthetics of Risk: Volume 3 of the SoCCAS [Southern California Consortium of Art Schools] SymposiaJohn C. Welchman This anthology of essays, images and dialogues exploring contemporary art's engagements with risk--physical, social, political and aesthetic--brings readers into the conference from which the book takes its title, a third annual collaboration between the Getty Research Institute and the Southern California Consortium of Art Schools (SoCCAS). Some content there was so intense that it came with a warning label: "Contains graphic depictions of violence, nudity and bodily functions. No one under the age of 18 years will be admitted." The Aesthetics of Risk showcases conversations between Catherine Opie and Douglas Crimp, Paul McCarthy and Kristine Stiles, and presentations including "Aestheticizing Risk in Wartime: The SLA to Iraq." Featured artists include Brock Enright and Steve Kurtz. Featured critics and commentators include Jane Blocker of the University of Minnesota, independent curator Rachel Greene, Richard Shiff of the University of Texas at Austin and Stiles, Professor at Duke University. Editor John C. Welchman is professor of modern and contemporary art history and theory at the University of California, San Diego, and the editor of the most recent title in this series, Institutional Critique and After. |
Contents
John C Welchman | 6 |
Gerda Reith | 57 |
Neve Gordon and Dani Filc | 81 |
Copyright | |
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Common terms and phrases
action activities actors aesthetic Allan Kaprow artists audience avant-garde Barnett Newman become behavior bodily body Brazilian Bridget Riley Brisley calculation camera catharsis Catherine Opie Center collaboration concept of risk Contemporary Art context COURTESY create Critical Art Ensemble critique cultural dangers discourse essay example exhibition experience film Gallery Gaza Strip gesture Hamas health system Horse human Ibid idea individual institutions Israel Israeli Jodorowsky Kaprow kind living logic of risk London Margolles Mexico City military modern movement Museum neo-Dada neoliberal notion Okón Okón's painting Palestinian Paul McCarthy performance art photographs piece Pirate Project political practice produced radical relation response rhetoric Richard Serra Riley risk society role scenario script sculpture second Intifada SEMEFO sense situation social space strategies Tavel theater theory things threat tion uncertainty video art viewer violence Warhol West Bank York