The Counter-Narratives of Radical Theology and Popular Music: Songs of Fear and Trembling
Springer, May 21, 2014 - Religion - 222 pages
In this unique collection, theologians born and formed during the Cold War offer their insights and perspectives on theological relationships with such musical artists and groups as Joy Division, U2, Nick Cave, and John Coltrane. These essays demonstrate that one's personal music preferences can inform and influence professional interests.
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Chapter 2 My Affair with Ian
Chapter 3 In the Colony with Joy Division
Chapter 4 Sonic Stigmatas
Chapter 5 Improvisation and Divine Creation
Chapter 6 Protocols of Surrender
Chapter 7 Louis Armstrong
Chapter 8 I Know My Way from Here
Chapter 10 Praying the Confiteor at Westminster Abbey
Chapter 11 Nick Cave and Death
Chapter 12 Combine Dry Ingredients Mix Well
Chapter 13 Why Kanye West Gets It Wrong
Chapter 14 Stop Think Stop
Radical Theology Playlist
Chapter 9 Meeting God in the Sound
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16 Horsepower album American apocalyptic Armstrong artists audience band become belief Bible biblical Black Bono called Cave’s challenge Christ Christian church Colony Coltrane Coltrane’s contemporary context Counter-Narratives of Radical creative critical culture dance David Eugene Edwards death Deleuze demand to stop Dilla divine Edwards’s experience faith fans flaneur fracture future God’s grace human hymn Ian Curtis Ibid improvisation jazz John Coltrane Joy Division Joy Division’s kinship language listener live Love Supreme lover maxi-mix meaning Mike Grimshaw 2014 mix-tape modern mundane murder Murder Ballads musicians Mute Records Nick Cave Orleans Parlophone performance Pet Shop Boys philosophy play Popular Music possibility present Radical Theology redemption relationship religion religious rhythm rock roll secular sexual sing singer Slavoj Žižek song’s sonic sound soundtrack spiritual stop and think survival Tender Prey Tennant theme Theology and Popular thought tion traditional trans transcendence Treme voice words Wovenhand Zealand