The Counter-Narratives of Radical Theology and Popular Music: Songs of Fear and TremblingM. Grimshaw In this unique collection, theologians born and formed during the Cold War offer their insights and perspectives on theological relationships with such musical artists and groups as Joy Division, U2, Nick Cave, and John Coltrane. These essays demonstrate that one's personal music preferences can inform and influence professional interests. |
Contents
1 | |
Chapter 2 My Affair with Ian | 16 |
Chapter 3 In the Colony with Joy Division | 25 |
Chapter 4 Sonic Stigmatas | 37 |
Chapter 5 Improvisation and Divine Creation | 51 |
Chapter 6 Protocols of Surrender | 67 |
Chapter 7 Louis Armstrong | 80 |
Chapter 8 I Know My Way from Here | 95 |
Chapter 10 Praying the Confiteor at Westminster Abbey | 137 |
Chapter 11 Nick Cave and Death | 153 |
Chapter 12 Combine Dry Ingredients Mix Well | 174 |
Chapter 13 Why Kanye West Gets It Wrong | 187 |
Chapter 14 Stop Think Stop | 197 |
Radical Theology Playlist | 211 |
Contributors | 213 |
216 | |
Other editions - View all
The Counter-Narratives of Radical Theology and Popular Music: Songs of Fear ... M. Grimshaw No preview available - 2014 |
The Counter-Narratives of Radical Theology and Popular Music: Songs of Fear ... M. Grimshaw No preview available - 2014 |
Common terms and phrases
album American appears Armstrong audience Available band become begins belief Black Bono break called Cave challenge Christ Christian church close comes commandment contemporary context create creative critical culture dance David death Deleuze demand divine Edwards Edwards’s event existence experience expression faith feel future gives grace hand Horsepower human hymn improvisation jazz John Joy Division judgment language least listener live looking Love lover meaning move nature never offer once original performance perhaps Pet Shop Boys philosophy play political Popular Music possibility present Press produced question Radical Theology Records reference relationship religion religious response rock roll secular sense simply sing singer song sonic sound speak spiritual stop story theme theology things thought tion traditional turn understanding University voice writes York